Exhibitions
Current
Eleni Wittbrodt
Jiffy
15.01. – 29.01.2021
2020
Rosario AninatUnder it still
11.12.2020 – 08.01.2021
Karwath + TodiskoHeritage
16.10. – 20.11.2020
Current
Eleni Wittbrodt
Jiffy
15.01. – 29.01.2021
2020
Rosario Aninat
Under it still
11.12.2020 – 08.01.2021Karwath + Todisko
Heritage
16.10. – 20.11.2020
Elia Buletti, Elodie Le Neindre & Carsten OlbrichFamily Weddings l
09.10.2020
Arhun Aksakalubiquity, invisibility and oblivion of a phenomenon
11.09. – 02.10.2020
Nassim L'GhoulAlle schweigen charmant
21.08. – 04.09.2020
Svenja Anna BachPalermo oder Höchst
18.07. – 31.07.2020
Natalie Wilke
I'm waiting for my man
04.07 – 10.07.2020
Elia Buletti, Elodie Le Neindre & Carsten Olbrich
Family Weddings l
09.10.2020Arhun Aksakal
ubiquity, invisibility and oblivion of a phenomenon
11.09. – 02.10.2020Nassim L'Ghoul
Alle schweigen charmant
21.08. – 04.09.2020Svenja Anna Bach
Palermo oder Höchst
18.07. – 31.07.2020Natalie Wilke
I'm waiting for my man
04.07 – 10.07.2020
Nassim L'Ghoul, Untitled, 2020, installation view, video still, 3D-animation, deep learning algorithm, 04:12 min., sound by Phil Hoffart, edition of 3 + 1 A.P., photo: Jule Wertheimer, © and courtesy of the artist and L187
Nassim L'Ghoul, Untitled (excerpt), 2020, video still, 3D-animation, deep learning algorithm, 04:12 min., sound by Phil Hoffart, edition of 3 + 1 A.P., © and courtesy of the artist and L187

Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm, photo: Anton Sahler, © and courtesy of the artist and L187
Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm, © and courtesy of the artist and L187
Nassim L’Ghoul, Briefkasten im Regen, 2020, photo print, 20,5 x 13 cm, © and courtesy of the artist and L187


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., photo: Jule Wertheimer, © and courtesy of the artist and L187

Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., photo: Jule Wertheimer, © and courtesy of the artist and L187

Nassim L’Ghoul, Untitled, 2020, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., © and courtesy of the artist and L187

Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., photo: Jule Wertheimer, © and courtesy of the artist and L187

Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., photo: Jule Wertheimer, © and courtesy of the artist and L187

Nassim L’Ghoul, Untitled, 2020, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs., © and courtesy of the artist and L187

Nassim L’Ghoul, Alle schweigen charmant, installation view, © and courtesy of the artist and L187

Nassim L’Ghoul, Manifesto, 2020, installation view, website on Deep Web, screen, dimensions variable, photo: Jule Wertheimer, © and courtesy of the artist and L187, link: http://uemjxuz6rnipl6xlcxj35dzbvd4xsqfvlpfwjygodvstpm7nqzdcyoyd.onion/

Nassim L’Ghoul, Feuerkasten, 2020, installation view, oil on canvas, 65 x 80 cm, photo: Anton Sahler, © and courtesy of the artist and L187

Nassim L’Ghoul, The Crucifixion with Mary and Saint John the Evangelist, 2020, installation view, 3D animation, looped, 00:10 min., photo: Jule Wertheimer, © and courtesy of the artist and L187
Digital art should be temporal.
The reproduction of digital artworks should be limited.
Digital works should suffer a loss of quality during reproduction.
Digital works should be made available decentrally and should not be accessible immediately and everywhere.
Digital works should be characterised by rivalry between them.
Digital artworks should not be created because they are efficient.
Intellectual property should not only be bound to material, but also to digital data.