Nassim L'Ghoul, Untitled, 2020, installation view, video still, 3D-animation, deep learning algorithm, sound by Phil Hoffart, 04:12 min.

Nassim L'Ghoul, Untitled (excerpt), 2020, video still, 3D-animation, deep learning algorithm, sound by Phil Hoffart, 04:12 min.

Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm


Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm


Nassim L’Ghoul, Briefkasten im Regen, 2020, photo print, 20,5 x 13 cm

Nassim L’Ghoul, Ich konnte nie gut Briefe schreiben, 2019, installation view, acrylic and chalk on canvas, 170 x 120 cm


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Alle schweigen charmant, installation view


Nassim L’Ghoul, Manifesto, 2020, installation view, website on Deep Web, screen, dimensions variable, link: http://uemjxuz6rnipl6xlcxj35dzbvd4xsqfvlpfwjygodvstpm7nqzdcyoyd.onion/


Nassim L’Ghoul, Feuerkasten, 2020, installation view, oil on canvas, 65 x 80 cm


Nassim L’Ghoul, The Crucifixion with Mary and Saint John the Evangelist, 2020, installation view, 3D animation, looped, 00:10 min.

Digital art should be temporal.
The reproduction of digital artworks should be limited.
Digital works should suffer a loss of quality during reproduction.
Digital works should be made available decentrally and should not be accessible immediately and everywhere.
Digital works should be characterised by rivalry between them.
Digital artworks should not be created because they are efficient.
Intellectual property should not only be bound to material, but also to digital data.

Nassim L’Ghoul (*1997, Bad Soden, Germany) lives and works in Vienna. He studied at the HfG Offenbach in the class of Alexander Oppermann and since 2021 he is at the Academy of Fine Arts Vienna in the class of Christian Schwarzwald.

Opening: 21.08.2020, 7 p.m.

Copyright and courtesy of the artist and L187. Photos by Jule Wertheimer, Anton Sahler and L187.

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