Exhibitions

Upcoming
Catherina Cramer & Giulietta Ockenfuß

Unleash the Beast Chapter 2: Hagenbecks Zoo

06.12. – 19.12.2021


Past
Rosa Elisa Nitzsche & Aline Sofie Rainer
Gaby
01.10.2021


Catherina Cramer & Giulietta Ockenfuß

Unleash the Beast Chapter 1: The Aquatic Ape

04.06. – 06.06.2021


Louis Baca & Fabian Riemenschneider
Aurora
01.02. – 15.02.2021

Eleni Wittbrodt
Jiffy
15.01. – 29.01.2021


2020
Rosario Aninat

Under it still

11.12.2020 – 08.01.2021

Karwath + Todisko

Heritage

16.10. – 20.11.2020


Elia Buletti, Elodie Le Neindre & Carsten Olbrich

Family Weddings l

09.10.2020

Arhun Aksakal

ubiquity, invisibility and oblivion of a phenomenon

11.09. – 02.10.2020

Nassim L'Ghoul

Alle schweigen charmant

21.08. – 04.09.2020

Svenja Anna Bach

Palermo oder Höchst

18.07. – 31.07.2020

Natalie Wilke

I'm waiting for my man

04.07 – 10.07.2020


Nassim L'Ghoul, Untitled, 2020, installation view, video still, 3D-animation, deep learning algorithm, sound by Phil Hoffart, 04:12 min.


Nassim L'Ghoul, Untitled (excerpt), 2020, video still, 3D-animation, deep learning algorithm, sound by Phil Hoffart, 04:12 min.



Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm


Nassim L’Ghoul, Briefkasten im Regen, 2020, installation view, photo print, 20,5 x 13 cm


Nassim L’Ghoul, Briefkasten im Regen, 2020, photo print, 20,5 x 13 cm

Nassim L’Ghoul, Ich konnte nie gut Briefe schreiben, 2019, installation view, acrylic and chalk on canvas, 170 x 120 cm


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Untitled, 2020, installation view, video still, image processing script, real-time self-destructing image, 3D animation, 336:00 hrs.


Nassim L’Ghoul, Alle schweigen charmant, installation view


Nassim L’Ghoul, Manifesto, 2020, installation view, website on Deep Web, screen, dimensions variable, link: http://uemjxuz6rnipl6xlcxj35dzbvd4xsqfvlpfwjygodvstpm7nqzdcyoyd.onion/


Nassim L’Ghoul, Feuerkasten, 2020, installation view, oil on canvas, 65 x 80 cm


Nassim L’Ghoul, The Crucifixion with Mary and Saint John the Evangelist, 2020, installation view, 3D animation, looped, 00:10 min.

Digital art should be temporal.
The reproduction of digital artworks should be limited.
Digital works should suffer a loss of quality during reproduction.
Digital works should be made available decentrally and should not be accessible immediately and everywhere.
Digital works should be characterised by rivalry between them.
Digital artworks should not be created because they are efficient.
Intellectual property should not only be bound to material, but also to digital data.

Nassim L’Ghoul (*1997, Bad Soden, Germany) lives and works in Vienna. He studied at the HfG Offenbach in the class of Alexander Oppermann and since 2021 he is at the Academy of Fine Arts Vienna in the class of Christian Schwarzwald.


Opening: 21.08.2020, 7 p.m.

Copyright and courtesy of the artist and L187. Photos by Jule Wertheimer, Anton Sahler and L187.

Download press release and checklist (PDF)

Edition